How can traditions exist in the era of celebrity idols? What tools can be used today to trigger transcendental processes? How can an analytic and deconstructive dialogue metamorphose out of Beyoncé’s hit song, Drunk in Love? Krund ni Ovel is a ritualistic performance, a dialogue between movement, music and visual arts, that plays with the concept of clichés.
References: Trafó House of Contemporary Arts, Kolorádó Festival, MODEM Center for Modern and Contemporary Art